(orig. shat this one out for a 'pome-a-day' piece a couple years back. Forgot about it. 730am revise, years removed, is as follows):
THE HI-ROAD DRIVE-IN
leadfooted down U.S. 68 past Dunkirk to
Columbus
for a wedding
20 yr. old music from my boyhood shuffling
the big W. OH sky
clear & cool @ noon 1st day
of spring & nearly blew by it to spite
our eyes peeled for it, anonymous, almost hidden
outside passengerside window, just beyond
irrigation ditch, hemmed in by distant
treelines not yet leaved, rumble
of tires on gravel in reverse to pull into
its dirt driveway, disembark & photograph
sun/weather-bleached box office marquee recalling
tornados on Katie’s birthday, June ‘89
broke off & carried away the bigger part of
its whitewashed plywood screen, yet unmended, to leave
those few here for the movies squinting
as if watching grandparents’ portable TVs
oblivious, it would seem, to advances
of kids like me, there to lose/take cherries, now as then & back
to frame the marquee, this
tumbleweed, if you will, to that cobwebbed corner, my
sentimental mind & take cover behind
driver’s side door to skirt
wind-kicked dust. Resume driving
sign aliases in an antique café guestbook
downroad in Kenton, marvel @ unchanged
farm machines foreground to yellow thaw
19th, to be exact, since I last blew through &
left behind & Stipe’s voice filling the car rings
apropos: Take a picture here. Take a souvenir.
09 September, 2011
03 March, 2010
comes a time when it's later , honey, I'm sure ...
Three semi-feral male cats patrol my block of Hyde's Park. Two are silver tabbies and the other is a yellowish shorthair. They're all muscles, claws and fangs. The tabbies are friendly. The shorthair is fearless and likes to bite, but he's friendly, too. I believe and have heard tell they 'belong' to one of the neighbors. Any neighbor who would leave his housecats out in the elements is no friend of mine, but these three guys are pretty damned awesome. They can get up a 50-foot tree in about a second.
Oh, there are 'missing fluffy' posters all over the neighborhood, and I can only wonder if this trio have anything to do with small dogs & birds disappearing. If yes, more power to 'em ....
My granddad used to say he didn't trust anyone who didn't like cats. I believe he was right about that a little bit more with each waking moment.
Oh, there are 'missing fluffy' posters all over the neighborhood, and I can only wonder if this trio have anything to do with small dogs & birds disappearing. If yes, more power to 'em ....
My granddad used to say he didn't trust anyone who didn't like cats. I believe he was right about that a little bit more with each waking moment.
02 March, 2010
I'm a little bit country punk ...
This Leno back on The Tonight Show business makes me happy I no longer have a TV.
I woke up surly yesterday, and spent the morning flaming some dude who blogs wine reviews, yet doesn't seem to understand the difference between a right bank Bordeaux and a left bank Bordeaux. Seriously, who drops a mere $7 on a bottle of St. Emillion and expects it to knock their socks off all 1978 Pauillac-like? Yes, I was once jerked around by airport security for being a terroirist.
My two cents, and I'm not the first (see: Lynn Sweet) to go out on such a limb: Lots of congressional incumbents will lose their seats in the midterms regardless of party affiliation. The electorate doesn't see democrats or republicans as the problem. Rather, it sees congress as a whole as the problem. The White House knows this (see: Obama at the recent 'health summit' talking trash about 'seeing what happens in November,' or whatever his exact words were), and those are some pretty crack wonk psychic witches (Axelrod, et al) working there. And there I go, talking my leftie friends down once more ...
I woke up surly yesterday, and spent the morning flaming some dude who blogs wine reviews, yet doesn't seem to understand the difference between a right bank Bordeaux and a left bank Bordeaux. Seriously, who drops a mere $7 on a bottle of St. Emillion and expects it to knock their socks off all 1978 Pauillac-like? Yes, I was once jerked around by airport security for being a terroirist.
My two cents, and I'm not the first (see: Lynn Sweet) to go out on such a limb: Lots of congressional incumbents will lose their seats in the midterms regardless of party affiliation. The electorate doesn't see democrats or republicans as the problem. Rather, it sees congress as a whole as the problem. The White House knows this (see: Obama at the recent 'health summit' talking trash about 'seeing what happens in November,' or whatever his exact words were), and those are some pretty crack wonk psychic witches (Axelrod, et al) working there. And there I go, talking my leftie friends down once more ...
01 March, 2010
I could swear I have posted since Xmas. Oh, well ...
People in Chicago drive like assholes. Especially in crosswalks. Or when behind the wheel of something German. Go figure.
I think I saw Paul Westerberg walking into the revolving door of the Michigan Av. Filene's basement today, but for a moment before I realized who dude looked like I thought it was Ozzy Osbourne.
People in Chicago drive like assholes. Especially in crosswalks. Or when behind the wheel of something German. Go figure.
I think I saw Paul Westerberg walking into the revolving door of the Michigan Av. Filene's basement today, but for a moment before I realized who dude looked like I thought it was Ozzy Osbourne.
25 December, 2009
the last blowing past
I first heard/got into Vic Chesnutt on an R.E.M. tribute album from the first half of the 1990s. "Surprise Your Pig," it was called, and his contribution was a groovy mashup of "It's the End of the World as we Know it (& I Feel Fine)." Being the dilligent music fan, I did my research and got into his work. He'd been writing songs since childhood, came from a musical family. Played a mean guitar from a young age.
I next really got into Vic's music with his 1998 album, "Is the Actor Happy." Vic wrote a mean lyric & did the most interesting things with the basest chord progressions & the most creative & spare arrangements. His "The Gravity of the Situation," from that album, is one of the most beautiful songs I have ever heard.
In the '80s, when Vic was 18, he was paralyzed in a car accident. He re-learned the guitar with his now-limited arm/hand movement, which forced his songwriting hand to the simpler. The simpler, you know, is the more tried and true way, at least in the music I like. This past summer, I had a dinner party and a friend of mine, himself a survivor of a tragic car wreck, confided an anecdote about meeting Vic at a show at Schuba's, requesting a song Vic's band didn't know, sharing his own car wreck story ... Vic played him the song, in spite of his sidepeople being out of the loop. Nice guy, I thought. I know it meant a good lot to my friend.
Vic released a great album, "At the Cut," this year. He recorded it & toured in its support with Fugazi's Guy Picciotto and a number of other fine musicians. In the past, he worked with great bands like R.E.M. and Lambchop. He received accolades from *everyone* who matters. In a town like Athens, Ga., where *everybody* plays in several really good bands, that means a hell of a lot.
I was lucky enough to stumble upon an interview with Vic & Mr. Picciotto a week or so back, on NPR. Vic was as intimate as his songs, honestly and humbly discussing his accident, his addictions, his past suicide attempts (there were many). As had been the case as long as I've known the man's music, I kept liking him more the more I heard.
Vic passed today/yesterday, 24 December. He'd overdosed, intentionally, and left a note, instructed the authorities who found him to contact his friend, Kristen Hersh. The first reports were that he was comatose, but soon enough, his death was confirmed.
All that has ever been cool in music or the arts for that matter lost a very, very good one this holiday season.
I next really got into Vic's music with his 1998 album, "Is the Actor Happy." Vic wrote a mean lyric & did the most interesting things with the basest chord progressions & the most creative & spare arrangements. His "The Gravity of the Situation," from that album, is one of the most beautiful songs I have ever heard.
In the '80s, when Vic was 18, he was paralyzed in a car accident. He re-learned the guitar with his now-limited arm/hand movement, which forced his songwriting hand to the simpler. The simpler, you know, is the more tried and true way, at least in the music I like. This past summer, I had a dinner party and a friend of mine, himself a survivor of a tragic car wreck, confided an anecdote about meeting Vic at a show at Schuba's, requesting a song Vic's band didn't know, sharing his own car wreck story ... Vic played him the song, in spite of his sidepeople being out of the loop. Nice guy, I thought. I know it meant a good lot to my friend.
Vic released a great album, "At the Cut," this year. He recorded it & toured in its support with Fugazi's Guy Picciotto and a number of other fine musicians. In the past, he worked with great bands like R.E.M. and Lambchop. He received accolades from *everyone* who matters. In a town like Athens, Ga., where *everybody* plays in several really good bands, that means a hell of a lot.
I was lucky enough to stumble upon an interview with Vic & Mr. Picciotto a week or so back, on NPR. Vic was as intimate as his songs, honestly and humbly discussing his accident, his addictions, his past suicide attempts (there were many). As had been the case as long as I've known the man's music, I kept liking him more the more I heard.
Vic passed today/yesterday, 24 December. He'd overdosed, intentionally, and left a note, instructed the authorities who found him to contact his friend, Kristen Hersh. The first reports were that he was comatose, but soon enough, his death was confirmed.
All that has ever been cool in music or the arts for that matter lost a very, very good one this holiday season.
03 November, 2009
Things I Learned Reading Hemingway
-- Don’t be impressed by one’s titles, accomplishments, etc (“Robert Cohn was once middleweight boxing champion of Princeton. Do not think that I am very much impressed by that ...”).
-- Don’t live vicariously. Just live.
-- A good man may know his limitations, but that’s no excuse to walk the line as long as you’re honest with yourself and others.
-- Tell it like it is. Don’t sugarcoat it. Don’t go around comparing her to a summer’s day. Save your breath. She knows that’s bullshit. “She was damned good-looking” takes less time and space and says miles beyond any archaic, verbose sonnet.
-- Keep your writing friends separate from your tennis friends.
-- When in doubt, best to trust balls and grace. My late friend, Carl, put it that way once, but he was paraphrasing Hemingway.
-- Your art/craft above all else. When cash-strapped, buy books, not clothes. Gertrude Stein’s edict, adopted by EH.
-- At the end of the day, when it comes to you, it’s your way or the highway, and stay the hell away from mental health professionals.
-- Don’t live vicariously. Just live.
-- A good man may know his limitations, but that’s no excuse to walk the line as long as you’re honest with yourself and others.
-- Tell it like it is. Don’t sugarcoat it. Don’t go around comparing her to a summer’s day. Save your breath. She knows that’s bullshit. “She was damned good-looking” takes less time and space and says miles beyond any archaic, verbose sonnet.
-- Keep your writing friends separate from your tennis friends.
-- When in doubt, best to trust balls and grace. My late friend, Carl, put it that way once, but he was paraphrasing Hemingway.
-- Your art/craft above all else. When cash-strapped, buy books, not clothes. Gertrude Stein’s edict, adopted by EH.
-- At the end of the day, when it comes to you, it’s your way or the highway, and stay the hell away from mental health professionals.
27 August, 2009
Pleased to Meet Me
i.
he sits
translates Rimbaud
cheap desk from Ikea
a dark studio by the lake
he sits
egged on by Spanish red
a semester of French in college
seduced by his TA to guarantee
an easy B, resorts
to search engines to assist
w/the trickier parts, but is surprised
bemused (Breathless)
what he’s retained
perhaps from subtitles
in films from Jeunet & Godard
Breathless (bemused)
I is
the other is not
the author & does
protocol for
meeting oneself
exist
only in dreams
unrequited maybes
riff away on Walter Mitty
exist
Breathless
to the author’s
Masculin Feminine
-cigarettes & idealized selves
breathless
ii.
born
in a barn
on the S. side
of a steeltown
way of thinking
takes to drinking
like his daddy
(his daddy . . .
His old man’s Charger is all stale smoke & sticky old beer. The old man perspires Miller. Exhales Chesterfields. They see each other weekends since the divorce. Stay up late to watch Hee Haw and Benny Hill. As a man the child stays in most weekends. Never marries. Comes to associate sweaty beer aromas with country and western from the ‘70s. Acquires an affinity for tight-clothed redheads with curves. Southern accents. Lowbrow humour. Waylon. Willie. )
iii.
Ridge of his N. Mediterranean
nose the airs put on to his toes tapping
lines into stanza those Bohemian
shades so as not to catch his self napping
the newly-formed crows’ feet & blood-shot eyes
keep the sun away the critics at bay
nobody knows his poker show the yes
he promises & blindly looks away
tweaked on LSD he loses his mind
on too much Nietsche in college a fraud
in Chuck Taylors in the Bowling Green wind
& recalls reading something from Rimbaud:
if you see yourself coming cross the street
anyone else would be better to meet
iv.
I has Johnson’s Love in Vain
I meets ladies on Amtrak, paints
w/his cock in the rain & writes ghazals
to loves lost on trains easy as I finds it & improvs
Sonatas to weather patterns, rhapsodizes galaxies, jungles &
stillframes, all the while
I is me is
sane
is an artist
feels pain is
homeless, orphaned tumbleweeds
on greasemonkey summer pavement joneses
for James Brown loud on headphones is
I’s opiate throat-rush enough &
dirty-fingered & minge-mouthed
Heartbreak Hotel & Thin Lizzy’s Jailbreak
unafraid to sleep alone, I whinges
anyway, at the thought of it, but I
is alright
won’t complain
gets tight & recalls something
his old man used to say: even the best
wine stains.
he sits
translates Rimbaud
cheap desk from Ikea
a dark studio by the lake
he sits
egged on by Spanish red
a semester of French in college
seduced by his TA to guarantee
an easy B, resorts
to search engines to assist
w/the trickier parts, but is surprised
bemused (Breathless)
what he’s retained
perhaps from subtitles
in films from Jeunet & Godard
Breathless (bemused)
I is
the other is not
the author & does
protocol for
meeting oneself
exist
only in dreams
unrequited maybes
riff away on Walter Mitty
exist
Breathless
to the author’s
Masculin Feminine
-cigarettes & idealized selves
breathless
ii.
born
in a barn
on the S. side
of a steeltown
way of thinking
takes to drinking
like his daddy
(his daddy . . .
His old man’s Charger is all stale smoke & sticky old beer. The old man perspires Miller. Exhales Chesterfields. They see each other weekends since the divorce. Stay up late to watch Hee Haw and Benny Hill. As a man the child stays in most weekends. Never marries. Comes to associate sweaty beer aromas with country and western from the ‘70s. Acquires an affinity for tight-clothed redheads with curves. Southern accents. Lowbrow humour. Waylon. Willie. )
iii.
Ridge of his N. Mediterranean
nose the airs put on to his toes tapping
lines into stanza those Bohemian
shades so as not to catch his self napping
the newly-formed crows’ feet & blood-shot eyes
keep the sun away the critics at bay
nobody knows his poker show the yes
he promises & blindly looks away
tweaked on LSD he loses his mind
on too much Nietsche in college a fraud
in Chuck Taylors in the Bowling Green wind
& recalls reading something from Rimbaud:
if you see yourself coming cross the street
anyone else would be better to meet
iv.
I has Johnson’s Love in Vain
I meets ladies on Amtrak, paints
w/his cock in the rain & writes ghazals
to loves lost on trains easy as I finds it & improvs
Sonatas to weather patterns, rhapsodizes galaxies, jungles &
stillframes, all the while
I is me is
sane
is an artist
feels pain is
homeless, orphaned tumbleweeds
on greasemonkey summer pavement joneses
for James Brown loud on headphones is
I’s opiate throat-rush enough &
dirty-fingered & minge-mouthed
Heartbreak Hotel & Thin Lizzy’s Jailbreak
unafraid to sleep alone, I whinges
anyway, at the thought of it, but I
is alright
won’t complain
gets tight & recalls something
his old man used to say: even the best
wine stains.
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